The Story of IKEA

Follow the timeline to discover stories on innovation and insights, big mistakes and great ideas.

Our roots

Go back in time and explore the origins of IKEA and Ingvar Kamprad. Hardship, thrift and ingenuity in Småland, Sweden, and visions of a new life at home for the many people. Simple, functional and beautiful.

1940s

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1940s

The war ends and neutral Sweden gets a head start, boosting its economy and sense of community. From playing shop as a small boy, Ingvar Kamprad founds IKEA and a new era is dawning.

IKEA News
The first edition of ikéa-nytt, IKEA News, came out in spring 1948. It was a simple mail order catalogue, primarily targeting retailers, who were promised good quality at low prices. All the texts were written by Ingvar Kamprad himself, and at the time he mainly sold different kinds and models of pens, under the heading ‘Pen sensation’. Watches and nylon stockings were also sold in ikéa-nytt, but no furniture. But that was soon to change.

1950s

In the shadow of the Cold War, Sweden experiences a time of self-confidence and progress and Swedes have more money. IKEA opens home furnishing showrooms and what will become the first store in Älmhult.

1960s

The world is rocked by ideological conflict. In Sweden, social reforms improve living standards. A building boom creates a need for home furnishings and an IKEA flagship store opens in Stockholm.

The world’s biggest restaurant
When Ingvar Kamprad opened the doors on his first furniture showroom in Älmhult back in 1953, he wanted to offer visitors coffee and a biscuit – a new phenomenon in the thrifty county of Småland back then. And it was a huge success. The queues were long, and when the biscuits started running out there was something of a panic.

1970s

A decade defined by political activism and discussion around consumerism. A good fit for the unpretentious style of IKEA. Despite the looming oil crisis, the great expansion begins.

The Testament of a Furniture Dealer
Long before the rest of the world started talking about corporate culture, Ingvar Kamprad wrote down his vision and ideology for IKEA. He called it The Testament of a Furniture Dealer. It describes how IKEA needs to act to remain a successful, vibrant company. So what exactly is it all about?

1980s

As the global recession subsides, luxury consumption makes a comeback. The IKEA product range gets lost in attempts to keep up with global trends and the IKEA identity becomes muddled.

1980s metal
Booming stock markets, shoulder pads and postmodern design. The 1980s were about equal parts decadence and optimism. For IKEA it was a challenging decade, with both expansion and a quest for an identity. Could steel wire furniture be part of the answer?

1990s

The yuppie fades away and IKEA struggles with an identity crisis. It’s time to go back to the Scandinavian roots. While becoming a truly global brand, IKEA reclaims its soul.

IKEA dot com
Travel back in time and see what the IKEA website looked like in 1998. Step inside our time capsule – a kind of condensed 1990s – and surf around.

2000s

An era of new challenges and innovation for the world and for IKEA. The climate crisis climbs high on the global agenda, and the digital revolution changes everything.

Always together
When IKEA describes its culture, the terms together and togetherness are virtually always front and centre. And it’s not just co-workers who are invited to be part of that togetherness, but also very much customers and suppliers. In fact, you could say that without togetherness, there would be no IKEA.

2010s

In a world of urbanisation and housing shortages, financial worries and rising nationalism, IKEA intensifies its efforts to contribute to global sustainability for people and planet.

Good for the forest
On how IKEA, as a large actor in the timber industry, strives for responsible forest management in joint efforts with WWF and others, for people and the planet.
Hagberg + Hagberg
In their 41 years at IKEA, super-siblings Knut Hagberg and Marianne Hagberg designed more than 2,000 products. And whether it’s a shoe horn or a sofa, it is always designed with good form, smart function and sustainable quality, at a reasonable price.